Sunday, February 19, 2012

Analysis of The Exorcist



I should start off by saying that I am actually not a fan of horror movies at all and normally I try and avoid them at all costs. For this assignment I decided that if I had to watch one I might as well make a classic that I had been meaning to see for a while, I chose The Exorcist. I found the film to have an eerily slow start that left my entire body stiff waiting for something to happen at about thirty minutes in. It was interesting to watch a film that had less blood and gore to keep my attention and more plot. I couldn’t help but think about the idea of signs when seeing the barking dogs, artifacts, and other religious imagery in the beginning scene in Iraq, which helped me focus on the idea of representation throughout the film.

In terms of the Hall reading, one of the “myths” that stood out to me most in the film was the idea of “children are demons”. I believe that the idea of children being demons came about to me because while watching the film I was thinking about one of the only other horror movies I have seen, Rosemary’s Baby. Rosemary’s Baby came out around the same time and it is about a woman who is unknowingly pregnant with the devil’s child.  Rosemary’s Baby came out around the same time, 1968. After finishing watching The Exorcist I looked around online and another film that came out with the same myth was The Omen, which I have not seen. I feel like this was the beginning of those in powerful media positions teaching us to fear our children. It is possible that I am off on this, however, it seems to match.

After finishing The Exorcist I found myself unbothered by most of what I had seen in the film, which is very uncommon to my typical feelings after watching a horror film. I started thinking about why this might by and I think that it is possible that it has to do with Foucault’s ideas about historical context being the key to the production of knowledge through discourse. I think that I was relatively un-scathed by the material I had seen not because I believe or do not believe in exorcism but because the technology used in 1973 and the special effects are nothing compared to what I am used to and thus I am much less afraid of what I am seeing because it looks so much less real than what I am used to seeing in horror films. The historical context is not only important in aspects of technology but also in changed laws and social norms such as the doctors smoking in the hospital or Father Karras having a few beers to blow off some steam at the bar. Because I know that these laws/social norms I am less likely to believe the other things happening in the film are real.

3 comments:

  1. Hey Vanessa,

    I definitely think that historical context makes such a huge difference with horror films. What was seen as scary back in the 70's is completely different than what is seen as scary now. In part, that is because we're being taught to fear different things as time goes on. But I just saw "The Exorcist" for the first time this past October, and while I thought it was a good film, I didn't find it scary as I know that so many other people did. I think it's really because we've been exposed to so much other type of horror in these past few decades that seeing a child as "the devil" is old news and not as terrifying as it once was. So many movies have been made surrounding this idea since "The Exorcist" was released that the idea itself has lost some of the horrific aspects. It really does make a difference.

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  2. Hi Vanessa,

    You said that you were on edge while watching The Exorcist for thirty minutes just waiting for something to happen, and I felt the same way while watching The Shining. Horror films have definitely changed since the 1960’s and 70’s, and suspense was a tool for inciting fear, rather than the graphic violence we see today. I’ve seen The Exorcist, but I saw it a while ago, so correct me if I’m wrong, but music probably played a big part in creating suspense. I know it did while I was watching The Shining. Music is the context for a majority of fear the audience feels because without eerie music I believe we would not be on edge.

    Gretta

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  3. Hi Gretta,

    Music actually played a huge part in creating the illusion of fear! I thought about the music a lot especially after seeing the film and reading about it online--I hadn't realized what a prized soundtrack The Exorcist had. I thought it was really interesting thinking about how each of the beginning scenes ended and still no violent turns occured and my body was tighter and tighter thinking that "this HAS to be the moment"...I guess it is really a shame what the new gore and horror films have pushed us to expect...

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